Goedicke – Symphony No.3, Boris Haikin – 1956 LP Rip


Gedike’s Third Symphony, conducted by Boris Haikin, All-Union Radio Symphony Orchestra. Mosoblsovnarchoz RSFSR GOST-1956, a sample of large-scale full sound of the 1950s. Piano is legible, tutti is expressive — strings and brass do not go into a scream, trombones remain “in the body”. The magic cantilena characteristic of the early 1950s TU-1kl records is already absent.

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Classical Guitar, Soviet 1960s LP Rip

Four examples of the beautiful classical guitar.

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Alexander Ivanov-Kramskoy, 1972 Melody LP mono Rip


Listen to the magic of Ivanov-Kramsky's guitar – the best performance of the Preludes of Villa-Lobos. The sound of the record is too compressed though.

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Alexander Ivanov-Kramskoy, 1956 LP Rip


Impeccable intonation and taste – so you can characterize the guitar playing of A. Ivanov-Kramskoy, these tracks in particular.

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Alexander Ivanov-Kramskoy, 1965 Melody LP Rip


It sounds like a re-release of 1940s records. Alexander Ivanov-Kramskoy is one of the few classical guitarists with a filigree sense of rhythm, hypnotic sound and calligraphic sound extraction.

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Louis Armstrong with Earl Hines, 1953 LP RIP


Acoustic recordings of 1928, French remastered Odeon. Not that I liked Armstrong, but rather the magic sound of the music box in Basin Street Blues hooked.

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Russian balalaika, 1968 Melody LP Rip

Balalaika virtuosos, excellent instruments and professional sound engineering work.

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Beethoven – Violin Concerto, D. Oystrakh 1952 LP Rip


TU-1kl 33 with a small red apple – the first Soviet LP records with surprisingly contradictory sound: the orchestra is clamped, sharp, while the solo instruments are clear, clean and with incredibly subtle intonations. Oystrach and his Stradivarius are in great shape on this record, they are a single whole, creating a musical narrative, interesting from beginning to the end. Oystrakh starts playing from the third minute and no longer lets anybody go off.

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Haydn – Sonata No. 3 In E Flat Major – Glenn Gould, 1958 LP rip

NEW – Energophone take – 28-02-2020


Clear, faceted Haydn, high-quality record. Gould is out of competition.

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IS Bach, Concerto No. 1 In D Minor – Glenn Gould, 1957 LP rip


The recording is complex in sound, the piano does not fit well with the harsh-sounding Bernstein orchestra. The remastering conveyed the drama laid down by Gould as truthfully as possible. It is immortal concert, for all time.

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