vinyl & shellac audio
Jango Reinhardt Django Reinhardt; His real name is Jean Renard, Fr. Jean Reinhardt; January 23, 1910- May 16, 1953) was a French jazz virtuoso guitarist and co-founder of the Jazz Manush style.
Lo-fi audiophile sound of Dinette. Django's musical extravaganza!
Continue reading “Django Reinhardt – Memorial Album Vol.2, 1956 LP rip”
Re-release of the 1947 recordings. The tracks are distinguished by a powerful drive a la Vendredi 13 and stunning clarity of sound.
Clarinet Solo – Hubert Rostaing
Continue reading “Django Reinhardt – Memorial Album Vol.3, 1956 LP rip”
The album was recorded by Django a month before his death. Contains unusual composition without a rhythm guitar and a second soloist. Django emphasised on sound extraction and gave rise to a surprisingly melodious, plastic and expressive guitar improvisations.
Continue reading “Django Reinhardt – The Great Artistry, 1953 LP rip”
Lo-Fi audiophile sound. In 1954, the English HMV released a series of records with Django remastered, all of them were somewhat sluggish, but the atmosphere of the 1930s was conveyed quite well on them, the sound remained soft and expressive.
Studio Dial is primarily famous for its magnificent recordings of Charlie Parker, Django recorded on it in 1943 and 1947, some of these recordings are presented here.
An example of a French remastering from 1967. Made not bad, but somewhat worse than the ACL’ job, the bottom is excessively clipped. The drive of Django and Grappelli is well conveyed, the clarity of the sound for swing is quite sufficient. Django performed the wonderful “I’LL See You In My Dreams” in a trio with Emmanuel Soudieux (double bass) and Pierre Ferret (rhythm guitar).
Remastered by Ace of Clubs from the 1938 Decca shellac originals (except Liza 1946 and H. C. Q. Strut 1939). For 1964, the remastering is very decent. The golden period of Django and Grappelli, the very hot juice.
Continue reading “Django Reinhardt – Stephanie Grappelly, 1964 ACL LP rip”
An example of remastering of Django and Bechet on the German Decca of some philophonist club. A thin 10″ plate with convex sides, most likely the late 1960s. The Bechet originals are a real audiophile Lo-Fi, recorded with overloads that give an extra drive, you can imagine how powerful it sounded in the original source.
Continue reading “Reinhardt – Grappelly – Bechet, 1960s LP rip”