Alexander Ivanov-Kramskoy, 1965 Melody LP Rip


It sounds like a re-release of 1940s records. Alexander Ivanov-Kramskoy is one of the few classical guitarists with a filigree sense of rhythm, hypnotic sound and calligraphic sound extraction.

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Louis Armstrong with Earl Hines, 1953 LP RIP


Acoustic recordings of 1928, French remastered Odeon. Not that I liked Armstrong, but rather the magic sound of the music box in Basin Street Blues hooked.

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Russian balalaika, 1968 Melody LP Rip

Balalaika virtuosos, excellent instruments and professional sound engineering work.

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Beethoven – Violin Concerto, D. Oystrakh 1952 LP Rip


TU-1kl 33 with a small red apple – the first Soviet LP records with surprisingly contradictory sound: the orchestra is clamped, sharp, while the solo instruments are clear, clean and with incredibly subtle intonations. Oystrach and his Stradivarius are in great shape on this record, they are a single whole, creating a musical narrative, interesting from beginning to the end. Oystrakh starts playing from the third minute and no longer lets anybody go off.

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Haydn – Sonata No. 3 In E Flat Major – Glenn Gould, 1958 LP rip

NEW – Energophone take – 28-02-2020


Clear, faceted Haydn, high-quality record. Gould is out of competition.

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IS Bach, Concerto No. 1 In D Minor – Glenn Gould, 1957 LP rip


The recording is complex in sound, the piano does not fit well with the harsh-sounding Bernstein orchestra. The remastering conveyed the drama laid down by Gould as truthfully as possible. It is immortal concert, for all time.

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Glenn Gould – six partitas, 1963 LP mono

The 1976 reissue, made by Russian Melodia, is surprisingly decent. The original tracks are not recorded evenly, the sound of fourth and sixth partitas in my opinion do not reach the good rate but in the first numbers there was enough beautiful moments. Gould plays divinely, the unattainable ideal of a classical pianist. The first and third partitas are the best in quality.

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cork cantilever damper

Recording system, v. 6 – switching to a more wide-band and clear SE-piezocrystal caused problems with the tone balance, especially on the HF, where the resonance of the “crystal – damper – cantilever” came out of the shadow. Depending on the type of adapter and cantilever, it could be reduced as much as 7-8 kHz, which, of course, was unacceptable. There were two solutions — to use a flexible factory adapter that suppresses the resonance by 90%, or to somehow reduce the weight of the system.

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Billie Holiday ‎– Music For Torching, 1955 LP Rip

Clef, as always, has carelessly recorded trebles, someone there liked to twist the sibilants to the maximum. The record as a whole sounds sharp and harsh on the forte. You can abstract from the distortion when listening to good equipment, remastering Back To Music allows you to do this without any problems. Billy sings most emphatically in “It Had To Be You” and “I Don’t Want To Cry Anymore”.

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Billie Holiday ‎– Lady Sings The Blues, 1956 LP Rip

Billy’s recordings on Clef and Verve were not distinguished by neat sound engineering work, sometimes they came out blurred, sometimes they were recorded with overloads and the treble was twisted to a whistle. Billie is beautiful in spite of the second hand crackling vinyl. I Thought About You is amazing.

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